The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. “It’s unforgivable of me to call, Miss Stanley,” he said, shaking hands in a peculiar, high, fashionable manner; “but you know you said we might be friends. ‘Étes-vous Francais?’ Her eyes, he noted, followed from himself to Hilary and back again, but she did not speak.
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