The Plague raced through the city and the Palazzo, consuming it like fire. She would come back and write letters, carefully planned and written letters, or read some book she had fetched from Mudie’s—she had invested a half-guinea with Mudie’s—or sit over her fire and think. Wood, now more buxom and more gorgeously arrayed than ever,—as well as a young and beautiful female, in whom he was at no loss to recognise the carpenter's daughter. The contest, however, though desperate, was brief. Why? Because Howard Spurlock the author dared not risk the liberty of Howard Spurlock the malefactor; because there were still some dregs in this cup of irony.
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