1. “It is so difficult,” she murmured, “so impossible to explain. She found herself asking more and more curiously, “Why, on the principle of the survival of the fittest, have I any sense of beauty at all?” That enabled her to go on thinking about beauty when it seemed to her right that she should be thinking about biology. “—but this cannot be. The police are concerned in it in either event. ’ This was Leonardo’s philosophy. ‘Ah, bah, it is enough,’ she cried, and turning, ran out of the room. Jackson, to the swig. There was no one at home, and I was coming away when I saw that the door was open. So Michelle’s plans were to out her in front of an audience. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. "Let us fly from this frightful place. But never mind that. We have only those phantoms called memories, which are the husks of dreams.
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